Pheran () or Phiran is the traditional outfit for both males and females in Kashmir.
The pheran consists of two gowns, one over the other. The traditional pheran extends to the feet, which was popular up to the late 19th century C.E. However, a relatively modern variation of the pheran extends to below the knees, which is worn with a suthan inside (loose form of shalwar) similar to the styles worn in Afghanistan.
In summer, the pheran are made of cotton, but in winter, the pheran is made of wool, covering and protecting the body from the cold especially during snow. These dresses are used by the residents of the Kashmir Valley and Kashmiris residing in Chenab Valley.
Since Pheran is unique to the Kashmiri culture and it is worn particularly to protect oneself from the coolest phase(Chilai Kalan-starts from 21 December) in winter, 21 December is now being celebrated as Pheran Day in Kashmir valley.
Etymology and history
Pheran is a corruption of the Persian word 'perahan' which means cloak.
The outfit has been in vogue in
Kashmir since before the 15th century.
Before the advent of Islamic influence, the people of Kashmir used to wear a loose gown-type leather doublet instead of pheran, as recorded by Hiuen-Tsang.
According to some sources, the pheran was introduced by Mughal emperors Akbar when he conquered the valley in 1586. However, according to historian Prithivi Nath Kaul Bamzai, with the arrival of Sufi saints and Muslim theologians from Persia and Central Asia, Kashmiris adopted their long robes and round turbans. The long robe, in particular, is considered the precursor to the Pheran, which is now the traditional attire of Kashmiris.
Designs
Head dress
Taranga
Hindu women use a headwear called "taranga" (), which is a headdress which becomes smaller down at back, towards the heels. It is popular in some areas of Kashmir.
Kasaba
Kashmiri Muslim women use a headwear known as the "kasaba" (). The kasaba is padded by means of a turban and is pinned together by brooches. A veil made of pashmina or Silk is pinned to the top of the kasaba that descends towards the back of the neck. There are two types of kasaba: " Thoud kasaba" and " Bonn kasaba". Thoud kasaba (high kasaba) sits on the head like a crown, worn only by married women belonging to elite families. House of khwajawal in Naid kadal made the most beautiful kasabas. Bonn kasaba (low kasaba) sits on head like a bandana, worn by commoners and tribal women. The most magnificent and expensive kasabas were made of kashmiri kundan work known as " Jarrah": precious gem stones, usually rubies, spinels and emerald are set in 24 carat gold to make various kundan ornaments ( Tikka, Taweez, Hung taweez, Bal hor, kan vass) pinned to the red cap having intricate Kashmiri " Tilla work" (silver thread work). Kundan kasaba was worn only by royals. Kundan kasaba were only made by house of Kundanghar in Khwaja bazar.
Pheran
The pheran is a loose upper garment loosely gathered at the sleeves, which tend to be wide,
made of either wool or jamewar, which is a mixture of wool and cotton,
with no side slits. A pheran made of wool is called a 'loch'.
Female pheran dresses are designed with colorful flowerlike designed elements and styles. Male pheran dresses are quite simple, without any colourful design.
The traditional pheran falls to the feet like a gown. This style was universally worn by the Kashmiri Hindus and Kashmiri Muslims communities into the later 19th century C.E. However, a modern version worn by Muslims
is knee-length, loose and stitched on the front side ane finishes, while Hindus often still wear their pherans long, extending down the legs. Ankle length Pherans are tied at the waist.[ Kashmir, Volumes 2-3 (1952)] Intricate embroideries or flower styles are a popular on Kashmiri ladies pherans. The embroideries or flower designs are made of thin metal threads; this kind of embroidery is known as 'Tille' in Kashmiri language.
Over time, the art of embellishing pherans has evolved, with a variety of embroidery styles enhancing their elegance. Some of the most prominent embroidery types found on modern pherans include:
-
Tilla embroidery – Traditional Kashmiri gold or silver threadwork, popular on festive and bridal pherans.
-
Aari embroidery – Intricate chain-stitch embroidery, giving the pheran a refined, handcrafted look.
-
Zari embroidery – A delicate and luxurious style using gold or silver threads, similar to Tilla but often more intricate.
-
Sozni embroidery – A fine needlework technique, used mainly to enhance woolen pherans with artistic patterns.
With time, designers and artisans have introduced new styles, blending tradition with modern aesthetics, making the pheran a versatile outfit worn for both casual and festive occasions.
Poots
The poots () is the same as the pheran but made of lighter material; it is worn beneath the pheran. It is generally used to protect the pheran from burns from the
Kanger. It also provides extra warmth during winters, double layer insulation from the cold winter days.
Suthan/shalwar
Traditionally, the pheran and poots were worn without a lower garment.
[Cultural Heritage of India- Kashmiri Pandit Contribution. The Publication of Kashmir Sabha, Calcutta (1999-2000) [2]][Irby, Augustus Henry (1863) The diary of a hunter from the Punjab to the Karakorum mountains [3]] Indeed, in neighbouring Hunza too, women did not wear pajamas until 1890 and in Nagar until 1925.
[Chohan, Amar Singh (1893) Historical Study of Society and Culture in Dardistan and Ladakh [4]] Since the latter part of the 19th century, loose suthans (shalwars) and
churidar pajamas of the
Punjab region became popular in
Kashmir.
[Kumar, Raj (2006) Paintings and Lifestyles of Jammu Region: From 17th to 19th Century A.D. [5]][Kapur, Manohar Lal (1992) Social and economic history of Jammu and Kashmir State, 1885-1925 A.D. [6]] Accordingly, the suthan or
churidar pajama can form part of the pheran ensemble but is not a must. The Kashmiri suthan is baggy and loose and is similar to the Dogri suthan worn in the
Jammu Division region. Some versions are similar to the shalwars worn in
Afghanistan. However, since the 1960s, the straight cut Punjabi salwar has become popular.
[India. Office of the Registrar General (1961) Census of India, 1961: Jammu and Kashmir [7]][ Dorris Flynn (1986) Costumes of India][Shri Parmananda Research Institute, 1982 Glimpses of Kashmiri Culture, Volume 5 [9]]
Modern fashion
Modern trends saw a decline in the use of pherans in favour of the
shalwar kameez.
[ Dhar, Somnath (1999( Jammu and Kashmir] However, there has been a revival in recent years as pherans have become part of modern fashion,
[Piyali Bhattachary (14 April 2015)Khadi Couture: How to Wear Kashmiri Tweed Wall Street Journal [11]] and are worn by females of other areas of
Kashmir as well.
Kashmiri men are also wearing the pheran as a fashionable outfit.
[Ishfaq-ul-Hassan (11 February 2015) DNA Real aping reel: Kashmir valley gripped by 'Haider' pheran fever [12]] Combined with jeans, the pheran has made its way into the office world.
[Rashid, Toufiq (29 November 2014) Hindustan Times. Pheran making a political statement in Kashmir [13]] The modern pheran is not as wide and long
[(Hassan, Firdous (11 February 2015) The Kashmir Monitor. With e-commerce 'Pheran' goes global [14]] as the traditional ankle or knee-length version and sometimes has side slits. Fewer men are wearing the phiran with a shalwar.
[ Medhora, Sarosh (2 September 2000) The Tribune. Focus on men’s formals] Modern pherans, known as Raglan Pherans (LARK) are a hybrid of western
raglan sleeve coat and traditional wear.
==Photo gallery==
women wearing intricately decorated pherans]]
men in Kashmir, 1895]]
See also
Notes